000 -LEADER |
fixed length control field |
03096pam a2200445 i 4500 |
001 - CONTROL NUMBER |
control field |
2013000291 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20151029150136.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
130227s2013 nyua b 000 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2013000291 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0805097252 : |
Terms of availability |
$28.00 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)811597673 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Transcribing agency |
DLC |
Description conventions |
rda |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1998.3.J276 |
Item number |
A5 2013 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.4302/33092 |
Edition number |
23 |
082 14 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.4302 |
-- |
162 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Jaglom, Henry, |
Dates associated with a name |
1939- |
245 10 - TITLE STATEMENT |
Title |
My lunches with Orson : |
Remainder of title |
Conversations between Henry Jaglom and Orson Welles / |
Statement of responsibility, etc. |
edited and with an introduction by Peter Biskind. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Metropolitan Books/Henry Holt Books, |
Date of production, publication, distribution, manufacture, or copyright notice |
2013. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
x, 306 pages : |
Other physical details |
illustrations ; |
Dimensions |
25 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 303-306). |
510 4# - CITATION/REFERENCES NOTE |
Name of source |
Library Journal, |
Location within source |
July 01, 2013 |
510 4# - CITATION/REFERENCES NOTE |
Name of source |
Booklist, |
Location within source |
June 01, 2013 |
510 4# - CITATION/REFERENCES NOTE |
Name of source |
Kirkus Reviews, |
Location within source |
May 15, 2013 |
510 4# - CITATION/REFERENCES NOTE |
Name of source |
Library Journal Prepub Alert, |
Location within source |
January 07, 2013 |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Based on long-lost recordings, a set of riveting and revealing conversations with America's great cultural provocateurThere have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse--sexist, homophobic, racist, or none of the above-- because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles--if such a creature ever existed. "-- |
Assigning source |
Provided by publisher. |
521 1# - TARGET AUDIENCE NOTE |
Target audience note |
Adult. |
Source |
Brodart |
521 2# - TARGET AUDIENCE NOTE |
Target audience note |
Adult. |
Source |
Brodart |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Jaglom, Henry, |
Dates associated with a name |
1939- |
Form subdivision |
Anecdotes. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Welles, Orson, |
Dates associated with a name |
1915-1985 |
Form subdivision |
Anecdotes. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion picture producers and directors |
Geographic subdivision |
United States |
Form subdivision |
Anecdotes. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Welles, Orson, |
Dates associated with a name |
1915-1985. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Biskind, Peter. |