| 000 -LEADER |
|---|
| fixed length control field |
02653pam a2200421 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
2013051019 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
DLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20190525020002.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
131231s2014 nyu 000 1 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2013051019 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0399163743 : |
| Terms of availability |
$26.95 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)861478621 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Description conventions |
rda |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
a-tu--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PS3566.E234 |
| Item number |
R43 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
813/.54 |
| Edition number |
23 |
| 084 ## - OTHER CLASSIFICATION NUMBER |
|---|
| Classification number |
FIC031000 |
| -- |
FIC002000 |
| Number source |
bisacsh |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Pearson, Ridley, |
| Relator term |
author. |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The red room / |
| Statement of responsibility, etc. |
Ridley Pearson. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
G. P. Putnam's Sons, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
399 pages ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
A Risk Agent novel ; |
| Volume/sequential designation |
3 |
| 510 4# - CITATION/REFERENCES NOTE |
|---|
| Name of source |
Booklist, |
| Location within source |
May 01, 2014 |
| 510 4# - CITATION/REFERENCES NOTE |
|---|
| Name of source |
Kirkus Reviews, |
| Location within source |
June 01, 2014 |
| 510 4# - CITATION/REFERENCES NOTE |
|---|
| Name of source |
Library Journal, |
| Location within source |
May 23, 2014 |
| 510 4# - CITATION/REFERENCES NOTE |
|---|
| Name of source |
Publishers Weekly, |
| Location within source |
April 28, 2014 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"In the newest international thrill ride from New York Times-bestselling author Ridley Pearson, John Knox and Grace Chu, the incomparable and often incompatible duo, team up again, this time in the exotic "city between two worlds," Istanbul. What's it like to see yourself in a picture you never knew was taken? John Knox is an expert at surveillance and delicate, international dealings. So he is understandably thrown when David "Sarge" Dulwich, his contact at Rutherford Risk, hands him a photo of a transaction he recently facilitated in the Middle East. More curious to him, he's shown that photo while in the Red Room, the private security company's highly secure underground bunker, where eavesdropping is impossible and privacy ensured. Why all the cloak-and-dagger? Knox is pressured into accepting a job as an art broker in the mysterious Istanbul, a city situated on two continents where East meets West and Islam meets Christianity. It is a melting pot of spies, terrorists, and conflicting interests. Teamed with smart, quick, and fearless Grace Chu, Knox must navigate a murky operation, the only goal of which is to spend five minutes in the proximity of a man they've never met. Why? What can it possibly matter? And why are so many others bound and determined to see it never happens-at any cost? "-- |
| Assigning source |
Provided by publisher. |
| 521 1# - TARGET AUDIENCE NOTE |
|---|
| Target audience note |
Adult. |
| Source |
Brodart |
| 521 2# - TARGET AUDIENCE NOTE |
|---|
| Target audience note |
Adult. |
| Source |
Brodart |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
Istanbul (Turkey) |
| Form subdivision |
Fiction. |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Suspense fiction. |
| Source of term |
gsafd |
| 856 12 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Cover image |
| Uniform Resource Identifier |
ftp://ppftpuser:welcome@ftp01.penguingroup.com/Booksellers and Media/Covers/2008_2009_New_Covers/9780399163746.jpg |
| 942 00 - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha issues (borrowed), all copies |
2 |
